Master Shots, Vol. 3
The Director's Vision
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Gewicht:
599 g
Format:
279x187x17 mm
Beschreibung:
Reveals the secrets of the best filmmaking techniques.
TABLE OF CONTENTS
Introduction
How to Use This Book
About the Images
Chapter 1: ADVANCED LENSING
1.1 Long Lens Distant
1.2 Long Lens Close
1.3 Long Lens Stationary
1.4 Long Lens in Motion
1.5 Short Lens Distant
1.6 Short Lens Close
1.7 Short Lens Stationary
1.8 Short Lens in Motion
1.9 The Medium Lens
1.10 Cutting the Lens
Chapter 2: ESSENTIAL MOTION
2.1 Blended Moves
2.2 Camera in Motion
2.3 Character Drives Camera
2.4 Reveal Moves
2.5 Move with Camera
2.6 Moving Straight On
2.7 Moving Sideways
2.8 Moving at an Angle
2.9 Short Moves
2.10 Turns and Curves
Chapter 3: DEPTH STAGING
3.1 Character Moves
3.2 Crossing
3.3 Move to Frame
3.4 Moving Point of View
3.5 Move to Reveal
3.6 Move with Reflection
3.7 Reversed Push
3.8 Velocity Dolly
Chapter 4: EXPERT FRAMING
4.1 Line Cross
4.2 Break Cut
4.3 Pan Motion
4.4 Push Through
4.5 Repeat Angle Push
4.6 Tilt Reveal
4.7 Rotate Out
4.8 Silhouette
Chapter 5: SYMBOLIC STAGING
5.1 Double Push
5.2 Magnetic Characters
5.3 Intimacy Break
5.4 High Drag
5.5 Power Exchange
5.6 Indecision
5.7 Isolating Push
5.8 Group Break
Chapter 6: PRODUCTION DESIGN AND LOCATION
6.1 Anti-Establishment Shots
6.2 Dirty Frame
6.3 Enrich the Foreground
6.4 Fake Wall
6.5 Framing Through
Introduction
How to Use This Book
About the Images
Chapter 1: ADVANCED LENSING
1.1 Long Lens Distant
1.2 Long Lens Close
1.3 Long Lens Stationary
1.4 Long Lens in Motion
1.5 Short Lens Distant
1.6 Short Lens Close
1.7 Short Lens Stationary
1.8 Short Lens in Motion
1.9 The Medium Lens
1.10 Cutting the Lens
Chapter 2: ESSENTIAL MOTION
2.1 Blended Moves
2.2 Camera in Motion
2.3 Character Drives Camera
2.4 Reveal Moves
2.5 Move with Camera
2.6 Moving Straight On
2.7 Moving Sideways
2.8 Moving at an Angle
2.9 Short Moves
2.10 Turns and Curves
Chapter 3: DEPTH STAGING
3.1 Character Moves
3.2 Crossing
3.3 Move to Frame
3.4 Moving Point of View
3.5 Move to Reveal
3.6 Move with Reflection
3.7 Reversed Push
3.8 Velocity Dolly
Chapter 4: EXPERT FRAMING
4.1 Line Cross
4.2 Break Cut
4.3 Pan Motion
4.4 Push Through
4.5 Repeat Angle Push
4.6 Tilt Reveal
4.7 Rotate Out
4.8 Silhouette
Chapter 5: SYMBOLIC STAGING
5.1 Double Push
5.2 Magnetic Characters
5.3 Intimacy Break
5.4 High Drag
5.5 Power Exchange
5.6 Indecision
5.7 Isolating Push
5.8 Group Break
Chapter 6: PRODUCTION DESIGN AND LOCATION
6.1 Anti-Establishment Shots
6.2 Dirty Frame
6.3 Enrich the Foreground
6.4 Fake Wall
6.5 Framing Through
TABLE OF CONTENTSIntroductionHow to Use This BookAbout the ImagesChapter 1: ADVANCED LENSING1.1 Long Lens Distant1.2 Long Lens Close1.3 Long Lens Stationary1.4 Long Lens in Motion1.5 Short Lens Distant1.6 Short Lens Close1.7 Short Lens Stationary1.8 Short Lens in Motion1.9 The Medium Lens1.10 Cutting the LensChapter 2: ESSENTIAL MOTION2.1 Blended Moves2.2 Camera in Motion2.3 Character Drives Camera2.4 Reveal Moves2.5 Move with Camera2.6 Moving Straight On2.7 Moving Sideways2.8 Moving at an Angle2.9 Short Moves2.10 Turns and CurvesChapter 3: DEPTH STAGING3.1 Character Moves3.2 Crossing3.3 Move to Frame3.4 Moving Point of View3.5 Move to Reveal3.6 Move with Reflection3.7 Reversed Push3.8 Velocity DollyChapter 4: EXPERT FRAMING4.1 Line Cross4.2 Break Cut4.3 Pan Motion4.4 Push Through4.5 Repeat Angle Push4.6 Tilt Reveal4.7 Rotate Out4.8 SilhouetteChapter 5: SYMBOLIC STAGING5.1 Double Push5.2 Magnetic Characters5.3 Intimacy Break5.4 High Drag5.5 Power Exchange5.6 Indecision5.7 Isolating Push5.8 Group BreakChapter 6: PRODUCTION DESIGN AND LOCATION6.1 Anti-Establishment Shots6.2 Dirty Frame6.3 Enrich the Foreground6.4 Fake Wall6.5 Framing Through