In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.
Originality: the first book-length account of music in British film to appear for sixty years
Acknowledgements Introduction British Film Music Wicked Sounds and Magic Melodies: Music in Gainsborough Melodramas Did You Hear the One about the Irishman? Sound and Music, Forging Ethnicity in Odd Man Out (1946) Experimenting with Film Scores, 1967-1970 Pop Music Culture, Synergy and Songs in Films: Hardware (1990) and Trainspotting (1996) History of British Film Musicals Stage to Screen: Whatever Happened to the British Musical Adaptation? The Perpetual Busman's Holiday: Sir Cliff Richard and the British Pop Musical The Musical Revolution: The Beatles in A Hard Day's Night White Labels and Black Imports: Music, Assimilation and Commerce in Absolute Beginners (1985) Notes Bibliography Index