Raoul Peck

Power, Politics, and the Cinematic Imagination
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ISBN-13:
9780739198780
Veröffentl:
2015
Einband:
HC gerader Rücken kaschiert
Erscheinungsdatum:
01.12.2015
Seiten:
300
Autor:
Toni Pressley-Sanon
Gewicht:
642 g
Format:
235x157x22 mm
Sprache:
Englisch
Beschreibung:
Raoul Peck: Power, Politics and the Cinematic Imagination includes a collection of essays by leading scholars and an interview and two keynotes addresses by the Haitian filmmaker Raoul Peck. The volume focuses on the ways in which power and politics have shaped his oppositional gaze and inform his films and his method as a director.
Raoul Peck: Power, Politics and the Cinematic Imagination includes a collection of essays by leading scholars and an interview and two keynotes addresses by the Haitian filmmaker Raoul Peck. The volume focuses on the ways in which power and politics have shaped his oppositional gaze and inform his films and his method as a director.
IntroductionSophie Saint-Just and Toni Pressley-SanonHistory is Too Important to Leave to Hollywood: Colonialism, Genocide and Memory in the Films of Raoul PeckAlyssa Goldstein SepinwallDisrupting Conventional Film Structure: Letters, Voice-Over, and Traumatic Irruption in Raoul Peck's FilmsJoëlle Vitiello"My Story is Not a Nice Story": Sometimes in April (2005) and the Rwandan Genocide FilmJane M. BryceFraming the Dispersal in Diaspora: Raoul Peck, Transnational FilmmakerSophie Saint-JustOn the Edge of Silence: l'(in)-imaginable and Gendered Representations of the Rwandan Genocide from Photography to Raoul Peck's Sometimes in AprilMyriam J. A. ChancyHaitian National Identity and Gender in Raoul Peck's Moloch TropicalTama Hamilton-WrayInterrogating Images: Lumumba: Death of a Prophet as Reflexive AutoBiographical DocumentaryRachel GabaraPostcolonialism and the Poetics of Pragmatism: Raoul Peck's Fatal Assistance and Alain Resnais's Hiroshima mon amourAlessandra Benedicty-Kokken"Haiti mon amour"John P. WalshLòt Bo and Anba Dlo: The Dialectics of Raoul Peck's Désounen: Dialogue with DeathToni Pressley-SanonPolitics, Masculinity, and Apocalyptic Memory in L'homme sur les quaisMartin MunroLessons from the Cinema of Raoul PeckOlivier BarletTranslated by Sophie Saint-JustStolen Images or Footnotes: Keynote Address to the 2013 Haitian Studies Association ConferenceRaoul PeckTranslated by Sophie Saint-Just"Beyond Help?": Address by Raoul Peck, Conference on "Beyond Aid: From Charity to Solidarity", Frankfurt, Germany - February 20, 2014Raoul PeckTranslated by Alyssa Goldstein SepinwallAbout the Contributors

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