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1. Introduction: Theatre and the Rise of Human Rights; Mary Luckhurst and Emilie MorinPart I: COLONIAL LEGACIES AND THE UNSPEAKABLE2. Unspeakable Tragedies: Censorship and the New Political Theatre of the Algerian War of Independence; Emilie Morin3. Beyond Articulation: Brian Friel, Civil Rights, and the Northern Irish Conflict; Michael McAteerPart II: UNSPEAKABILITY AND ETHNICITY4. 'Lapsing into Democracy': Magnet Theatre and the Drama of Unspeakability in the New South Africa; Mark Fleishman5. The Great Australian Silence: Aboriginal Theatre and Human Rights; Maryrose CaseyPart III: RETURNING HISTORIES, LISTENING, AND TRAUMA6. Disappearing History: Listening and Trauma in Ariel Dorfman's Death and the Maiden; Cathy Caruth7. Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation; Emma Cox8. Representing Genocide at Home: Ishi, Again; Catherine M. ColePart IV: THEATRES OF ADVOCACY AND WESTERN LIBERALISM9. The Politics of Telling and Workers' Rights: The Case of Mike Daisey; Carol Martin10. Gender-based Violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda; Ananda Breed11. Jalila Baccar and Tunisian Theatre: 'We Will Not Be Silent'; Marvin CarlsonPart V: MILITANCY AND CONTEMPORARY INVISIBILITIES12. Defixio: Disability and the Speakable Legacy of John Belluso; Michael M. Chemers13. Theatre and Elder Abuse; Mary LuckhurstSelect BibliographyIndex