The critical relationship between books and film has been one of the key topics of cinema studies. Much of the discussion, however, has been inherited from eighteenth-century debates between poetry and painting and thus has fostered false and limiting paradigms in which words and pictures are opposed. This volume historicizes and critiques the central paradigms of the debate. Testing theory against practice, and uncovering the hidden agendas, Kamilla Elliott creates new critical models that can be applied in an effort to transform the field for future inquiry.
The relationship between books and film has been one of the key topics of cinema studies. Rethinking the Novel/Film Debate historicizes and critiques the central paradigms of this debate. Testing theory against practice Kamilla Elliot creates new critical models transforming the field for future inquiry.
1. Analogy and category; 2. Prose pictures; 3. Film language; 4. Cinematic novels/literary cinema; 5. Literary cinema and the form/content debate; 6. Adaptation and analogy.