This book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the easy metaphorical impressionism that has characterized much of the scholarly literature to date. Analyzing Mallarm 's vision of a shared musico-poetic aesthetic, Elizabeth McCombie derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.
Examines the web of similarities and differences between music and poetry using works by Mallarme and Debussy as case studies. Analysing Mallarme's vision of a shared musico-poetic aesthetic, this book derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.
Prologue; Notes on Editions and References; Introduction: Searching for the intermediary; 1. Music in Mallarme: a musico-poetic aesthetic; 2. The poetics of discontinuity: explosante fixe and eclat; 3. L'adorable arabesque; 4. Song and the eventail; Epilogue; Appendix: Score of Soupir; Glossary; Bibliography; Index